中国传统文化中意境的哲学审视

中国古代美学与文艺论著关系密切 ,但是终究离不开哲学思想。事实上 ,任何美学理论都有自己的哲学根基。意境 ,作为中国古代文论和美学的核心范畴 ,更不能例外 ,它是在文学艺术长期的发展过程中 ,汲取并融合了各种哲学思想逐步形成的。中国的哲学思想主要是以儒教、道教、佛教各学说为代表的哲学思想 ,这三家思想对意境理论的形成肯定有一定的影响。而正因为有这三大文化哲学作其背景 ,意境理论才会有如此突出的民族审美特性。

Artistic Conception as a Mood in Traditional Chinese Culture:A Philosophic Perspective

Chinese antiquity aesthetics was closely correlated with literary and artistic critiques,but it was never isolated from philosophic ideology.In fact,any aesthetic theory should be based on a school of philosophy.Withno exception,artistic conception as a mood has been of the core category of Chinese antiquity literary criticism and aesthetics.It is gradually shaped while assimilating and blending variety heritage of philosophy in the long period of development of literature and art.Chinese philosophic ideology is mainly represented by Confucianism,Taoism and Buddhism.The formation of the theory of artistic conception as a mood is in a way influenced by these three schools of thought,and therefore this cultural and philosophic background of the three has greatly contributed to the prominence of the national and aesthetic feature of artistic conception.