| 论唐诗的音乐传播与文本传播 |
| |
| 引用本文： | 王立增.论唐诗的音乐传播与文本传播[J].南昌大学学报(人文社会科学版),2010,41(1). |
| |
| 作者姓名： | 王立增 |
| |
| 作者单位： | 徐州师范大学文学院,江苏,徐州,221116 |
| |
| 基金项目： | 国家社科基金青年项目“中国古代诗歌音乐传播研究”(06CZW005);;江苏省教育厅项目“唐诗音乐传播研究”(05SJD750026) |
| |
| 摘 要： | 唐诗在当时的传播主要有音乐传播和文本传播。音乐传播可分为徒歌与乐歌:徒歌便于操作,传播主体广泛,促进了唐诗的大众化传播;乐歌由乐工歌妓演唱,所唱之词多选自当时流传的文人诗歌。文本传播因物质媒介与书写手段的不同可分为固定文本与流动文本,其实际发生过程则经历了单篇传播和结集传播两个阶段。唐诗的传播常常是音乐传播与文本传播交互进行,因二者本身的局限而互为补充,互相促进。传播带给唐诗创作的影响有:确立了名篇名人;普及了诗歌;刺激了创作;形成了不同风格。
|
| 关 键 词： | 唐诗 音乐传播 文本传播 |
On Musical and Text Dissemination of the Tang Dynasty Poetry |
| |
| WANG Li-zeng.On Musical and Text Dissemination of the Tang Dynasty Poetry[J].Journal of Nanchang University(Humanities and Social Sciences),2010,41(1). |
| |
| Authors: | WANG Li-zeng |
| |
| Institution: | School of Humanities/a>;Xuzhou Normal University/a>;Xuzhou/a>;Jiangsu 221116/a>;China |
| |
| Abstract: | The dissemination of the Tang Dynasty Poetry falls chiefly into two types:music and text.The former can be divided into reciting and singing.A great number of subjects are related in recite,and this popularizes the mass communication of the Tang Dynasty poetry.Musicians and singers mainly take part in singing;and they sing the poems by literati of that period.The latter can be divided into regular texts and mobile ones due to their mediums and spelling styles.Its dissemination process involves two periods:s... |
| |
| Keywords: | Tang Dynasty poetry musical dissemination text dissemination |
| 本文献已被 CNKI 万方数据 等数据库收录！ |
|
