| 清代红楼戏曲:文本意义的接受与误读 |
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| 引用本文： | 李根亮.清代红楼戏曲:文本意义的接受与误读[J].武汉大学学报(人文科学版),2005,58(1):64-69. |
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| 作者姓名： | 李根亮 |
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| 作者单位： | 武汉大学,文学院,湖北,武汉,430072 |
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| 摘 要： | 清代红楼戏是当时人们对《红楼梦》小说文本的一种独特接受形式。戏曲改编者对《红楼梦》的解读,一方面立足于对宝黛爱情故事的叙述,或宣扬情的虚幻,或表现情的和谐,或强调情的永恒的接受观念;另一方面,在改编中对人物形象的塑造表现出简单表面化、庸俗色情化的接受倾向。这种解读既有对《红楼梦》文本意义合理的接受,又有明显的误读。
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| 关 键 词： | 红楼梦 接受 误读 戏剧 |
| 文章编号： | 1671-881X(2005)01-0064-06 |
| 修稿时间： | 2004年9月23日 |
The Operas about The Dream of the Red Chamber in Qing Dynasty: Reception and Misunderstanding |
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| LI Gen-liang.The Operas about The Dream of the Red Chamber in Qing Dynasty: Reception and Misunderstanding[J].Wuhan University Journal (Humanity Sciences),2005,58(1):64-69. |
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| Authors: | LI Gen-liang |
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| Abstract: | The operas about The Dream of the Red Chamber in Qing Dynasty can be looked as a special kind of form of reception on the novel.On the one hand, the adapters emphasized that love was illusory,or harmonious, or perpetual which based on the narrative of loving story between JIA Bao-yu and LIN Dai-yu. On the other hand, they also showed simple and pornographic trends by remolding the roles.The explanation displays both rational reception and clear misunderstanding for The Dream of the Red Chamber. |
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| Keywords: | The Dream of the Red Chamber reception misunderstanding opera |
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