| 话剧思维渗透下的传统演剧革新之路--从梅兰芳、周信芳谈起 |
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| 引用本文： | 张艳梅.话剧思维渗透下的传统演剧革新之路--从梅兰芳、周信芳谈起[J].晋阳学刊,2005(6):97-100. |
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| 作者姓名： | 张艳梅 |
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| 作者单位： | 浙江大学人文学院,杭州,310028 |
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| 摘 要： | 20世纪上半期是中国戏剧舞台剧烈变革的时代,话剧的传入对传统演剧方式产生了巨大的影响,从而使戏曲舞台出现了新面貌,这当中梅兰芳和周信芳的经历颇具代表性,他们各自为戏曲革新提供了相似而又相异的方案.他们的行动对当时的戏剧界影响深远,给今人也留下很多思索.
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| 关 键 词： | 演剧 戏曲 话剧 |
| 文章编号： | 1000-2987(2005)06-0097-04 |
| 修稿时间： | 2005年5月17日 |
The Reformation of Chinese Opera under the Influence of Drama--From The Practice of Mei Lan-fang and Zhou Xin-fang |
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| ZHANG Yan-mei.The Reformation of Chinese Opera under the Influence of Drama--From The Practice of Mei Lan-fang and Zhou Xin-fang[J].Academic Journal of Jinyang,2005(6):97-100. |
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| Authors: | ZHANG Yan-mei |
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| Abstract: | Chinese opera changed greatly in the last century,for modern drama had spread into China and it's performance was so different from traditional model,so many famous actors began to reform traditional opera.In this process,Mei Lan-fang and Zhou Xin-fang's experience was very representative,they provided well-known scheme for reforming traditional opera,which still inspires us today. |
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| Keywords: | performance opera drama |
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