| 理念的感性显现——试论贝多芬音乐的美学境界和显现象征 |
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| 引用本文： | 陈越红.理念的感性显现——试论贝多芬音乐的美学境界和显现象征[J].哈尔滨工业大学学报(社会科学版),2001,3(4):105-108. |
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| 作者姓名： | 陈越红 |
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| 作者单位： | 哈尔滨工业大学,黑龙江,哈尔滨,150001 |
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| 摘 要： | 贝多芬的音乐是音乐史上第一个以人类命运和历史的终极关怀作为主题的美学巨制。贝多芬用音乐语言说出了他所处的时代先进的人们心中最深刻的忧思 ,他最自觉、最清醒地选择了反抗旧秩序、争取自由和平等、弘扬人性、捍卫人格的独立与尊严这一历史理念 ,创造了表现这种哲理性主题的完备和深刻的音乐形式 ,使音乐的表达力达到哲学的高度 ,使音乐在思想深度上与其它文化形式并驾齐驱而无逊色 ,这使他的作品成为严肃音乐的典范 ,他本人也成为独步古今的“乐圣”。
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| 关 键 词： | 音响语言 宇宙本体 乐思 理念 |
| 文章编号： | 1009-1971(2001)04-0105-04 |
| 修稿时间： | 2001年6月24日 |
Abstruse philosophy expressed in Beethoven Music |
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| CHEN Yuehong.Abstruse philosophy expressed in Beethoven Music[J].Journal of Harbin Institute of Technology(Social Sciences Edition),2001,3(4):105-108. |
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| Authors: | CHEN Yuehong |
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| Abstract: | Beethoven Music is the first musical composition in musical history that took man's fate and historical ultimate solicitude as the theme. Beethoven expressed the profound brood of the people of that time with music language. He resisted the old traditions and strove for freedom and equality, and carried forward humanity and guarded personality independence and dignity. Beethoven created the self-contained music form which expressed the philosophical subject and promoted music to philosophical height. Beethoven music has become the model of classical music and this made Beethoven the master of music of his time and contemporary time as well. |
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| Keywords: | music language universe noumenon music contemplate rationalism |
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