| 终极视域中的西方传统绘画艺术 |
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| 引用本文： | 郭德君.终极视域中的西方传统绘画艺术[J].重庆交通大学学报,2015(2):101-104. |
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| 作者姓名： | 郭德君 |
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| 作者单位： | 重庆医科大学 医学人文研究中心,重庆,400016 |
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| 摘 要： | 以西方部分经典绘画作品为依据，发现西方传统绘画艺术一直展现出不懈求真的科学精神。依赖此精神，画家独特的审美情趣在对所描绘对象形式和内涵深刻揭示的过程中才能得到恰当阐释，从这种创作的指导思想和运用原则中，可窥见科学精神折射出的“主客二分”哲学思维对西方传统绘画艺术的重要影响。
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| 关 键 词： | 西方 传统绘画艺术 哲学思维 主客二分 |
Analysis on Traditional Western Painting Arts from the Perspective of Ultimate |
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| GUO Dejun.Analysis on Traditional Western Painting Arts from the Perspective of Ultimate[J].Journal of Chongqing Jiaotong University(Social Sciences Edition),2015(2):101-104. |
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| Authors: | GUO Dejun |
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| Abstract: | Taking part of Western classical paintings as analysis basis,through analysis it was found that found that the traditional western painting arts exhibited the unremitting scientific spirit of pursuing truth. Relaying on this spirit,the unique aesthetic in-terests of painters can be interpreted properly in the process of revealing the form and content of the objects. From the guiding ideology and application principle of this creation we can find the important influence by the philosophical thinking model of sepa-rating subject and object which was reflected from the scientific spirit in traditional Western painting arts. |
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| Keywords: | the West traditional painting arts philosophical thinking the thinking model of separating subject and object |
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