| 当代传播美学纲要 |
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| 引用本文： | 张涵.当代传播美学纲要[J].郑州大学学报(哲学社会科学版),2006,39(1):47-55. |
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| 作者姓名： | 张涵 |
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| 作者单位： | 中国出版工作者协会,北京,100073 |
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| 摘 要： | 当代传媒是人类发展史上迄今为止最宏大而潜力无限的一种传播大系统。研究当代传播美学,必须以整个人类文明发展里程为历史大视野,以马克思主义哲学思想为指导的大生命审美观为主视角,对当代传播活动的审美特征、审美生成、审美运作、审美功能等进行综合研究。当代传播美学整体上是由回归生命、审美生成、审美综合思维三组范畴互补互动共同构成的一个开放的和富于动态生成性的学科体系。“情为民所系”、“权为民所用”在本体论与方法论、目的论与战略论上的有机结合,组成了中国当代传播美学的建构方略。
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| 关 键 词： | 当代传播美学 学科体系 建构方略 |
| 文章编号： | 1001-8204(2006)01-0047-09 |
| 修稿时间： | 2005年10月25 |
The Outline of Modern Communication Aesthetics |
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| ZHANG Han.The Outline of Modern Communication Aesthetics[J].Journal of Zhengzhou University(Philosophy and Social Science Edition),2006,39(1):47-55. |
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| Authors: | ZHANG Han |
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| Abstract: | The modern communication medium is a kind of communication system with the greatest and limitless potentiality in the human development history.It is necessary for studying modern communication aesthetics to multi-study the aesthetic feature,growth,operation and function of the modern communication activity with the whole man's civilization development history course as the wide history field of vision,the great life aesthetic conception directed by Marxist philosophy thought as the main visual angle.The modern communication aesthetics is an open subject system with dynamic generating nature integrally constructed by three inter-complementing and inter-operating categories of returning life,aesthetic generation and aesthetic comprehensive thinking.The organic combination of "the sentiment for the people" with "the power used for the people" in the field of ontology and methodology,teleology and strategic science constitutes the structure general plan of the modern Chinese communication aesthetics. |
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| Keywords: | Modern communication aesthetics subject system structure general plan |
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