| 滑稽辨说 |
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| 引用本文： | 邵维加. 滑稽辨说[J]. 东华理工学院学报, 2005, 24(4): 315-317 |
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| 作者姓名： | 邵维加 |
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| 作者单位： | 东华理工学院文法与艺术学院 江西抚州344000 |
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| 摘 要： | 滑稽历来是“模糊”美学:本体不明,界限不清。它缺乏戏剧的实体性、幽默的高雅性和丑的内蕴性。它其实只是人的一种特殊审美心理模式。它异常活跃,无处不在。大众化使它失去高品位意义;喜剧化使它获得审美价值。滑稽是一种荒谬悖理的现象,亦即人类嘲笑自身不足的一种审美愉悦心理现象。
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| 关 键 词： | 滑稽 喜剧 幽默 丑 审美心理 |
| 文章编号： | 1001-635X（2005）04-0315-03 |
| 收稿时间： | 2005-04-04 |
| 修稿时间： | 2005-04-04 |
On Funny Drama |
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| SHAO Wei-jia. On Funny Drama[J]. Journal of East China Institute of Technology, 2005, 24(4): 315-317 |
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| Authors: | SHAO Wei-jia |
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| Abstract: | The funny drama been f "blured" aesthetics from time immemorial: the noumenon is unknown, the demarcation line isn't clear. Lt is in short of the entity character of drama and the refined character of humour and the inherent character of disgrace. It is really psycholog calligraphy of a special aesthetic of people. It is exceedingly active and it is present everywhere. Lt got out of significance of higher grade because of popularization; It gained worth of aesthetic because of comedifization. The funny drama was an absurd appearance and contrary to reason, and also is an aesthetic joyful psychological appearance that the mankind mocks his deficiency. |
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| Keywords: | funny drama comedy humour disgrace argueaesthetic psychologica' appearance |
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