| 论《离骚》冲突的艺术美 |
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| 引用本文： | 敦玉林. 论《离骚》冲突的艺术美[J]. 湘潭大学学报(哲学社会科学版), 2000, 24(6): 51-54 |
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| 作者姓名： | 敦玉林 |
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| 作者单位： | 江苏省社科院，江苏南京 210013 |
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| 摘 要： | 《离骚》以“自叙”、“述史”、“神游”这三个密切联系的艺术环节，借助神话思维表现了自我的精神存在和楚国贵族的矛盾差异，诗歌以戏剧化的矛盾冲突显现了美学特征。诗人试图以幻觉的神游来超越现实的矛盾，但最终失败，以悲剧性的自杀实现人生的价值，获得审美意义和道德意义的升华。
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| 关 键 词： | 矛盾；冲突；审美；神游；《离骚》；艺术美 |
| 文章编号： | 1001-5981(2000)06-0051-04 |
| 修稿时间： | 2000-05-20 |
On Art Beauty of Li Sao Conflict |
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| DUN Yu-lin. On Art Beauty of Li Sao Conflict[J]. Journal of Xiangtan University(Philosophy and Social Sciences), 2000, 24(6): 51-54 |
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| Authors: | DUN Yu-lin |
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| Abstract: | This paper explained the art characteristic of LiSaoby theory of conflict in aesthetics. It expressed the existence of self-spirit and the contradictory of Chu Guo noble with the aid of myth thought,taking three close connected art links “An account in myself words”,“Relating the history”,“Spirit tourism”. The poem showed the feature of aesthetics by dramatic contradictory conflict. The poet tried to overstep real comtradictory by the spirit tourism of hailucination, but the last it failed,and realized the value on life by miserable suicide,it got aesthetic meaning and the distillation of moral meaning. |
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| Keywords: | contradiction conflict aesthetics spirit tourid |
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