| 艾丽丝·门罗短篇小说《逃离》的叙事策略 |
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| 引用本文： | 陈丽秋.艾丽丝·门罗短篇小说《逃离》的叙事策略[J].盐城工学院学报(社会科学版),2020,33(1):87-90. |
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| 作者姓名： | 陈丽秋 |
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| 作者单位： | 集美大学 诚毅学院, 福建 厦门 361021 |
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| 摘 要： | 艾丽丝·门罗短篇小说的艺术魅力在于作者能在有限的篇幅中展示出人物复杂的生命体验。小说《逃离》体现了她在塑造人物内心方面的技巧。该作品巧妙地运用了弱化情节和灵活的全知视角两大叙事策略，生动展示了主人公复杂而微妙的内心世界，给读者留下了深刻的印象。
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| 关 键 词： | 艾丽丝·门罗 《逃离》 弱化情节 全知视角 |
| 收稿时间： | 2019/11/2 0:00:00 |
The Narrative Strategy in Alice Munro's Runaway |
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| CHEN Liqiu.The Narrative Strategy in Alice Munro's Runaway[J].Journal of Yancheng Institute of Technology,2020,33(1):87-90. |
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| Authors: | CHEN Liqiu |
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| Institution: | Chengyi College, Jimei University, Xiamen Fujian361021, China |
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| Abstract: | Alice Munro''s short novels enjoy worldwide popularity in that they reveal intricate life experiences despite the limited space. Runaway, one of her short masterpieces, exemplifies Munro''s art in depicting the characters'' inner world. With plotless story and flexible omniscient perspective the writer brings the complex and subtle feelings of the characters to the readers in the most vivid and unforgettable way. |
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| Keywords: | Alice Munro Runaway plotless story omniscient perspective |
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