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唐代"三教互补"强化了艺术思维中的感应性
引用本文:金丹元,江云岷. 唐代"三教互补"强化了艺术思维中的感应性[J]. 云南民族大学学报(哲学社会科学版), 2005, 22(6): 132-136
作者姓名:金丹元  江云岷
作者单位:1. 上海大学,影视学院,上海,200072
2. 云南民族大学,学报编辑部,昆明,650031
摘    要:感应是一种由此及彼的推论式思维,由此心、此事、此物而感应彼心、彼事、彼物,当然也含有想象、联想的成分或艺术化的夸张。儒家思想体现在艺术思维上的感应,主要是针对社会、人生和心理方面的,而道、佛学说则在于对自然、本性和自由、人性的张扬。“三教互补”使意象语言和推理语言在唐代艺术思维中得到了完美的统一。

关 键 词:唐代  三教互补  艺术思维  感应性
文章编号:1672-867X(2005)06-0132-05
修稿时间:2004-07-20

On the Reaction to the Artistic Thinking Strengthened by Three-religion''''s Mutual Complement in the Tang Dynasty
JIN Dan-yuan,JIANG Yun-min. On the Reaction to the Artistic Thinking Strengthened by Three-religion''''s Mutual Complement in the Tang Dynasty[J]. Journal of Yunnan Nationalities University(Social Sciences), 2005, 22(6): 132-136
Authors:JIN Dan-yuan  JIANG Yun-min
Affiliation:JIN Dan-yuan~1,JIANG Yun-min~2
Abstract:Reaction is a deductive thinking,which relates one heart to another or one thing to another,and it also has association,imagination or artistic exaggeration.The reaction of artistic thinking of Confucianism is mainly related to the society,human life and psychology while Taoism and Buddhism aims at the praise of nature,freedom,humanity and human nature.The mutual complement of the three religions helped the perfect integration of imagery and deductive discourses in the Tang Dynasty.
Keywords:Tang Dynasty  mutual complement of the three religions  artistic thinking  reaction  
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