| 来来往往一首诗,禅俗两不离--论释惠洪及其诗歌创作 |
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| 引用本文： | 孙海洋.来来往往一首诗,禅俗两不离--论释惠洪及其诗歌创作[J].湖南大学学报(社会科学版),2004,18(6):77-80. |
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| 作者姓名： | 孙海洋 |
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| 作者单位： | 湖南大学,文学院,湖南,长沙,410082 |
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| 摘 要： | 释惠洪有世俗化的一面,主要表现在青中年时期,晚年却是真实的禅子.其诗世俗色彩颇浓,但禅佛色彩也很浓,其风格以清丽为主,兼有雄豪、凄清、空寂之色,其早、中、晚三个时期的诗风也不尽相同.
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| 关 键 词： | 释惠洪 世俗化 诗歌创作 |
| 文章编号： | 1008-1763(2004)06-0077-04 |
| 修稿时间： | 2003年7月26日 |
Coming and Going as a Poem,with Buddhism and Secularism Converging--On Shi Hui-hong and His Poetic Creation |
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| SUN,Hai-yang.Coming and Going as a Poem,with Buddhism and Secularism Converging--On Shi Hui-hong and His Poetic Creation[J].Journal of Hunan University(Social Sciences),2004,18(6):77-80. |
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| Authors: | SUN Hai-yang |
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| Abstract: | Shi Hui-Hong was a secularist in his youth and middle age, whereas a loyal Buddhist in his later years. His poems were occupied with secularism as well as Buddhism. The main style is delicacies and prettiness, accompanied by grandeur and magnificence, desolation and coldness. The styles during his early, middle, later period are not quite the same. |
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| Keywords: | Shi Hui-Hong secularize poetic creation |
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