| 略析胡应麟诗论中的"化" |
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| 引用本文： | 王明辉.略析胡应麟诗论中的"化"[J].烟台大学学报(哲学社会科学版),2006,19(2):172-176. |
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| 作者姓名： | 王明辉 |
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| 作者单位： | 对外经贸大学,中文系,北京,100029 |
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| 摘 要： | "化"是中国古典美学的一个重要理论范畴,代表着极高的艺术境界.明代诗论家胡应麟在其诗学理论中多次运用"化"来探讨相关问题,极大地丰富了"化"这一范畴的内涵.胡应麟所谈的"化"有两层基本含义,其一是指代化境,是一种静态的美学意义上的艺术表现;其二是将"化"作为动词使用,既重视变化的过程,又突出"化"之后的结果.
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| 关 键 词： | 胡应麟 <诗薮> 化 化境 |
| 文章编号： | 1002-3194(2006)02-0172-05 |
| 修稿时间： | 2005年10月12 |
"Hua" in HU Yinglin's Poetics |
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| WANG Ming-hui."Hua" in HU Yinglin's Poetics[J].Journal of Yantai University(Philosophy and Social Science Edition),2006,19(2):172-176. |
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| Authors: | WANG Ming-hui |
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| Abstract: | "Hua",an important category in Chinese classical aesthetics,represents itself as high level of art.The critic HU Yinglin in the Ming Dynasty often discusses the literary problems with "Hua",which enriches the connotations of "Hua".HU Yinglin's "Hua" conveys two basic meanings.First,as the static representation in aesthetics,"Hua" refers to "HuaJing";Second,"Hua",used as a verb,includes the process of changing and the result. |
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| Keywords: | HU Yinglin "shisou" "Hua" "HuaJing" |
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