| 西方现代派美术初探 |
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| 引用本文： | 徐公才. 西方现代派美术初探[J]. 合肥工业大学学报(社会科学版), 2001, 15(Z1): 135-137 |
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| 作者姓名： | 徐公才 |
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| 作者单位： | 安徽大学艺术学院, |
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| 摘 要： | 现代派美术的产生、发展有其思想渊源和社会基础,是新时代艺术家的思维方式和新时代的审美观共同作用下的结果.它是以表达个人的主观精神,试图放弃现实反映,用与过去完全不同的思想与生活方式来反映社会文化的变化.
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| 关 键 词： | 现代派 美术 社会环境 演绎 表现 |
| 文章编号： | 1008-3634(2001)S1-0135-03 |
| 修稿时间： | 2001-03-28 |
Ecological observation on the art of modernist school |
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| XU Gong cai. Ecological observation on the art of modernist school[J]. Journal of Hefei University of Technology(Social Sciences), 2001, 15(Z1): 135-137 |
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| Authors: | XU Gong cai |
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| Abstract: | The emergency and development of the art of modernist school come from its own ideological origins and social basis .It is the result of the interaction of the completely new made of thinking and aesthetic standards which come from the artists in new times. It is to reflect the change of social culture by expressing the individual subjective spirit, trying to abandon the reflection of reality, and by the thoughts and life styles which totally differ from the past. |
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| Keywords: | modernist school art social environent deduction expression |
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