| 十六天魔舞源流考 |
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| 引用本文： | 黎国韬.十六天魔舞源流考[J].西藏研究,2010(2):60-72. |
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| 作者姓名： | 黎国韬 |
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| 作者单位： | 中山大学中国非物质文化遗产研究中心,广东,广州,510275 |
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| 基金项目： | 国家社会科学基金重点项目 |
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| 摘 要： | 文章对元代的"十六天魔舞"进行研究,认为此舞渊源于藏传密教的金刚舞,所表现的内容与莲花生大师收伏魔女并使之成为护法有关.创编这种乐舞的是噶玛噶举派黑帽系的上师,初期原在河西流传,后来随着黑帽系的得宠而于元末和其他密法一起进入宫廷.它在汉地的流传过程中不止一次被改造,并逐步减少了宗教因素.元亡以后,此舞仍不时出现在汉族戏曲表演之中,反映出它具有很高的艺术水平.
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| 关 键 词： | 十六天魔舞 金刚舞 藏传密教 河西 流传 改造 |
Research on the Origin of Sixteen-Tian-Mo Dance |
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| LI Guo-tao.Research on the Origin of Sixteen-Tian-Mo Dance[J].Tibetan Studies,2010(2):60-72. |
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| Authors: | LI Guo-tao |
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| Institution: | LI Guo-tao(Research Center for Intengible Culture of China,Zhongshan University,Guangzhou,Guangdong 510275,China) |
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| Abstract: | Sixteen-Tian-Mo Dance origins from Vajra-Dance in Tibetan Buddhism which tells how Guru Padmasambva conqured the succuba and made her become a Patronus.The dance was created by guru of Black-Cap system of Karma Kagyu sect which spreads in the west of Yellow River early and showed in the Palace of Yuan Dynasty later.After the demise of Yuan Dynasty,the dance has often appeared in various dramas. |
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| Keywords: | Sixteen-Tian-Mo Dance Vajra-Dance Tibetan Buddhism west of Yellow River spread reform |
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