| "样板戏"叙事:"他者"观照下的女性革命神话 |
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| 引用本文： | 彭松乔."样板戏"叙事:"他者"观照下的女性革命神话[J].江汉大学学报(人文科学版),2004,23(1):43-47. |
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| 作者姓名： | 彭松乔 |
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| 作者单位： | 江汉大学,人文学院,湖北,武汉,430056 |
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| 摘 要： | 从女权主义的角度看,"文革文学"中的"样板戏"无疑是人类文明史上两性话语权力交锋中不可多得的另类版本。"样板戏"大多以女性作为剧中的主人公或主要英雄人物,但她们身上却缺少真实女性应有的性别色彩。这一女性革命神话虽然表面上改变了女性的从属地位,但却并没有改变女性作为"他者"的历史命运。"革命"只是在形式上解放了女性,然后又通过"去性"及"花木兰化"的方式把女性重新约束在以"革命"来命名的男权话语之中。这一"样板戏"叙事模式,在看似抬高女性的革命言说中其实不自觉地潜隐着男性话语霸权。
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| 关 键 词： | 文革文学 样板戏 女权主义 "他者"观照 |
| 文章编号： | 1006-6152(2004)01-0043-05 |
| 修稿时间： | 2003年10月28 |
"Model Beijing Opera" Narration:Female Revolution Myth in Meditation Light of "the Other" |
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| PENG Song-qiao."Model Beijing Opera" Narration:Female Revolution Myth in Meditation Light of "the Other"[J].Journal of Wuhan Institute of Education,2004,23(1):43-47. |
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| Authors: | PENG Song-qiao |
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| Abstract: | Viewing from the angle of feminism, "model Beijing opera" is undoubtedly a rare other-kind version of bisex discourse confrontation in human history of civilization. Most "model Beijing opera" had females as protagonists or main heroic figures. But they lacked in them the proper sex tinge of genuine females. Though this female revolution myth superficially changed the sabordinate status of females, yet it didn't alter the historical destiny of females as "the other". Revolution emancipated females in form, and then, by means of "desexualization" and "making them Hua Mulans" re-restricted them, in the name of "revolution", in man-right discourse. This mode of "model Beijing opera" narration unconsciously hid male discourse hegemony in its seemingly revolutionary speech to elevate females. |
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| Keywords: | cultural revolution literature model Beijing opera feminism meditation light of "the other |
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