永恒与虚幻——《金阁寺》中三岛由纪夫的终极美学

国内对三岛由纪夫的研究大多从政治的角度关注其作为＂军国主义分子＂或者＂右翼分子＂的层面,随着英国记者亨利.斯各特的三岛由纪夫的传记的出版,作为小说家、剧作家、电影演员、运动员和政治评论员等多重身份的三岛由纪夫在研究者的视野里呈现出多维的映像。本文通过对其代表作《金阁寺》的解读梳理了三岛对人生现实的不满足,对人生价值的不确定,对永恒与虚幻这对矛盾的无休止追问,进而有助于我们理解三岛充满矛盾的短暂人生中的种种抉择。

Eternity and Transience

Most studies of Yukio Mishima are politically oriented in China and focus on his being a follower of ＂Militarism＂ or ＂Right-wing＂.But with the biographical book of Yukio Mishima by Henry Scott Stokes,Yukio Mishima comes into researchers’ vision with a really multidimensional image： novelist,playwright,movie actor,sportsman as well as political commentator.With a detailed analysis of his masterpiece The Temple of the Golden Pavilion,this paper discloses Yukio Mishima’s dissatisfaction with life,uncertainty about life value,and his endless pursuit to the contradiction between eternity and transience.It helps understand Yukio Mishima’s various choices in his controversy-filled short life.