| 台湾电影的现代性书写 |
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| 引用本文： | 王伟.台湾电影的现代性书写[J].集美大学学报(哲学社会科学版),2011,14(3):6-11. |
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| 作者姓名： | 王伟 |
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| 作者单位： | 泉州师范学院文学与传播学院,福建泉州,362000 |
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| 摘 要： | 在海峡两岸互动频繁的时代语境中,有必要重新审视台湾电影所映射的中华文化传统,揭示出蕴含其中之现代性的张力结构。台湾电影的现代性,首先体现在社会历史层面,即对民族认同、传统构建、文化想象等方面的叙事显影。而对现代性的反思之维,则表现为对国民性的反思继承,与集体理性的亲和疏离,个体生命的审美救赎以及流行话语的建构消解。
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| 关 键 词： | 台湾电影 现代性 中华文化 |
Modernity Writing of Taiwan Movies |
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| WANG Wei.Modernity Writing of Taiwan Movies[J].Journal of Jimei University (Philosophy and Social Sciences),2011,14(3):6-11. |
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| Authors: | WANG Wei |
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| Institution: | WANG Wei(College of Literature and Communication,Quanzhou Normal University,Quanzhou 362000,China) |
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| Abstract: | On the background of ECFA,it is necessary to reflect Taiwan movies.They are a reflection of tradition and tension of modernity.On the horizon of modernity,Taiwan movies play the narrative functions of nation identity,tradition construction and cultural imagination;in terms of the reflection of modernity,Taiwan movies demonstrate the reflection and inheritance of nationality,closeness to and departure from collective reason,aesthetic redemption of individual life,and deconstruction and construction of mainst... |
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| Keywords: | Taiwan movie modernity Chinese culture |
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