梁启超的“情感说”及其美学理论贡献

情感说是梁启超美学思想的重要内涵。梁启超认为,情感是生命与宇宙的本质;艺术情感是生命、情感、艺术美的统一;艺术情感必须求真、向善、合美;艺术情感具有熏、浸、刺、提四种感染力和奔进、回荡、含蓄蕴藉、写实、浪漫五种表情法;艺术是情感教育的最大利器。梁启超的情感说在思想观点、概念术语、理论方法上都具有鲜明的现代性,是20世纪中国现代美学思想的重要先导。

Liang Qichao's Idea of Emotion and His Cotribution to Aesthetics

Liang's idea of emotion is an important content in his aesthetics. As he pointed out, e-motion is the essence of life and universe, and since artistic emotion is the unity of life, emotion and artistic beauty, it ought to be for truth, at goodness and by beauty; aristic emotion has the power of edification, immpregnation, encouragement and inspiration with five general expressing effects such as soul-stirring, outbursting, reserving, realistic and romantic. Art can also serve as the best way for emotional education. Liang Qichao, who developed his idea of emotion with explicit modern features in his own thoughts, concept terms and theoratical methods, is a great pioneer for modern aesthetics in China in 20th century.