| 春秋赋《诗》的文化渊源及其机制原理 |
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| 引用本文： | 王妍.春秋赋《诗》的文化渊源及其机制原理[J].哈尔滨工业大学学报(社会科学版),2004,6(6):110-114. |
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| 作者姓名： | 王妍 |
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| 作者单位： | 哈尔滨工业大学,黑龙江,哈尔滨,150001 |
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| 摘 要： | 周代统治者编《诗》是对原始乐歌文化教化机制的发展应用。在西周礼乐盛世,《诗》乐章演绎了礼义。春秋时代礼仪崩坏,礼义失去所赖以附丽的礼乐仪式,但礼义已凝结为全社会所认可的道德规范,《诗》词章成为蕴涵礼义的文化元典。原始乐歌教化意蕴的铺陈展示与参与主体的体验感悟发展为对《诗》词章的赋、比、兴的应用,形成了赋《诗》活动的机制。
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| 关 键 词： | 赋《诗》 赋、比、兴 赋《诗》机制 |
| 文章编号： | 1009-1971(2004)06-0110-05 |
| 修稿时间： | 2004年7月17日 |
Cultural origins and mechanism of composing The Book of Songs in the Spring and Autumn Period |
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| WANG Yan.Cultural origins and mechanism of composing The Book of Songs in the Spring and Autumn Period[J].Journal of Harbin Institute of Technology(Social Sciences Edition),2004,6(6):110-114. |
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| Authors: | WANG Yan |
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| Abstract: | The Book Of Songs, composed by the rulers in Zhou Dynasty, is an expansion of the cultural functions of the primitive style of songs which combined music and prose together. In West Zhou Dynasty when ceremonial music was prevailing, The Book Of Songs embodied the spirit of the ceremonial music. By the time of Spring and Autumn Period when etiquette collapsed, The Book Of Songs had been particularly used and its textual meaning was interpreted in terms of politics and morality. |
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| Keywords: | The Book of Songs ceremonial music cultural origins |
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