| 《美女的烦恼》的先锋爱情意蕴刍议 |
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| 引用本文： | 黄璐. 《美女的烦恼》的先锋爱情意蕴刍议[J]. 西南交通大学学报(社会科学版), 2008, 9(5): 50-53 |
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| 作者姓名： | 黄璐 |
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| 作者单位： | 河北理工大学体育部,河北,唐山,063009 |
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| 摘 要： | 韩国电影<美女的烦恼>是韩国电影工业崛起及世界爱情电影艺术前沿的表征,它以观照丑女的生活状态和内心世界并与关女形成强烈对比和鲜明反差洞察到爱情中身体性的复兴趋势,并对电影的社会镜像功能做出意义呈现和观念强化.植根后现代土壤的先锋爱情正致力于真实表达爱情生活和重新定义爱情的身心关系,强调爱情的身体性与精神性并重.先锋爱情观念极有可能主导未来中国爱情与婚姻进程,且赋予新的爱情宣言:身体之爱是真实的,精神之爱是超越的,没有身体参与的精神之爱则是伪善的.
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| 关 键 词： | 韩国电影 《美女的烦恼》 先锋爱情 后现代主义 |
The Meanings of Avant-garde Love in Pounds Beauty |
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| HUANG Lu. The Meanings of Avant-garde Love in Pounds Beauty[J]. Journal of Southwest Jiaotong Universit(Social Science Edition), 2008, 9(5): 50-53 |
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| Authors: | HUANG Lu |
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| Affiliation: | HUANG Lu(Department of Physical Education,Hebei Polytechnic University,Tangshan 063009,China) |
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| Abstract: | Pounds Beauty,a South Korean film,is a symbol of the rise of Korean film industry and the frontier of world love film art.The film,by depicting the state of an ugly girl's life and her inner world and displaying the strong comparison and distinctive contrast between the ugly girl and a beauty,perceives the reviving tendency of body-involved love and practises the social video function of film by presenting meanings and strengthening concepts.The avant-garde love,based on post-modernism,is striving to truly ... |
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| Keywords: | South Korean film Pounds Beauty Avant-garde love post-modernism |
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