试论两宋时期山水画的自觉简略化倾向

为了把握中国山水画美学传统与发展规律,立足中西绘画艺术比较.通过历史与逻辑相结合的研究方法.发现两宋时期山水画有着一个由再现自然转向表现自然的重大嬗变,特别是呈现了将以往山水画中所常见的严密空间构成和细密性作自觉简略化表现的倾向,指出该倾向演化的内在理路是"从真境到诗意的转换",主要有"真实山水"."程式山水"和"写意山水"等发展阶段,认为它既有历史进步与升华的一面,也有自身难以克服的缺点。

The tendency towards conscious simplicity in landscape paintings during the song Dynasty

In order to grasp the esthetics tradition and law of development and compare the ( 'hinese di awing with western one. the method of combining history and logic was used to find out that (hinese land-paintings writei uses the had a .ureal evolution from describing nature to performing nature 1 specially.they had an inclination of changing the old landscape painting from well-knit space frame and strict picture to a natural briel performance And also, ii should be pointed out thai the inner changing of this lend. changing from real boundary to poetic quality, went through several different phases such as real landscape, stylized landscape and landscape in freehand brushwork.lt is considered that this kind of In ief tendency has both progress in history and shortcomings,which are hard to o\ ei come by themsel