| 论《古诗十九首》中的取象思维方式 |
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| 引用本文： | 于春海,夏玉玲. 论《古诗十九首》中的取象思维方式[J]. 延边大学学报, 2014, 47(6): 51-59 |
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| 作者姓名： | 于春海 夏玉玲 |
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| 作者单位： | 延边大学人文社会科学学院中文系,吉林延吉,133002 |
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| 摘 要： | 取象思维方式产生于《易经》,是中国传统的思维方式之一。《古诗十九首》借助取象思维方式,或传达男女之间的相思,或抒写行客望归之感,或诉说面对现实所产生的种种失意感伤和愤懑不平,或在慨叹无常人生的同时思考生死忧患。另外,《古诗十九首》中这种取象比附的思维方式对后世五言诗,尤其是对魏晋五言诗产生了较大影响。
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| 关 键 词： | 《古诗十九首》 取象比附 思维方式 |
On the Image Attached Mode of Thinking Applied in Nineteen Ancient Poems |
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| YU Chun-hai,XIA Yu-ling. On the Image Attached Mode of Thinking Applied in Nineteen Ancient Poems[J]. Journal of Yanbian University(Social Sciences), 2014, 47(6): 51-59 |
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| Authors: | YU Chun-hai XIA Yu-ling |
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| Affiliation: | (Dept. of Chinese Language and Literature, College of Humanities and Social Sciences, Yanbian Universtiy, Yanji, Jilin, 133002, China) |
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| Abstract: | Image attached is one of the Chinese traditional thinking modes originated from Yi Jing（work of ancient Chinese philosophy）.The application of image attached mode of thinking in Nineteen Ancient Poems is of great help to the descriptions of lover＇s yearning,homesickness,disappointment or being outraged by injustice,or feelings about the uncertainty of life.Moreover,such thinking mode exerts influences on the later five-character poem creation,esp.on those in Wei-Jin Dynasty of China. |
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| Keywords: | Nineteen Ancient Poems image attached thinking mode |
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