论新时期文学中的道家话语发生问题--以寻根文学为发生中介物

新时期文学中的道家话语发生,在文革潜在写作和反思文学阶段还处于萌芽状态,并没有被社会认同.待到寻根文学阶段,作家们对道家话语的张扬和建构已经自觉化、公开化.韩少功、阿城们在他们的理论陈述中鲜明地表现出对道家文化的张扬姿态,阿城所塑造的王一生等形象与道家的"真人"人格理想具有相同之处,汪曾祺作品所表现出来的"桃花源情结"及对"水的感觉"的追求也与道家"质性自然"等思想相同或相通.由此我们得出结论寻根文学作为发生的中介物,终于使新时期文学中的道家话语发生完成了"继续不断的建构",并使之获得了话语的合法性.

On the Germination Problem of Taoist Discourse in Chinese Literature of the New Period --with Root-searching Literature as a Germination Medium

The Taoist discourse in Chinese Literature of the New Period germinated in the Latent Writing during the Cultural Revolution and the Reflective Literature of the New Period.Yet it had appeared in an ulterior manner and won no social recognition then.The writers didn't publicize and construct the Taoist discourse consciously and openly until the age of Root-searching Literature.Han Shaogong and A Chengs displayed apparently commendatory attitude towards the Taoist discourse in their theories.Wang Yishen and other characters created by A Cheng have the same connotation with the Taoist's character ideal of "pure people"."Taohuayuan complex" and "waterlike feeling" manifested in Wang Zengqi's works have the same or similar connotation with the Taoist's idea of "original nature".So we educe a conclusion: As a germination medium,the Root-searching Literature has made the Taoist discourse in Chinese Literature of the New Period completed "continuous construction" and obtained its discourse legality.