| 中国现代审美主义思想的西学背景 |
| |
| 引用本文： | 叶世祥.中国现代审美主义思想的西学背景[J].齐鲁学刊,2008(4). |
| |
| 作者姓名： | 叶世祥 |
| |
| 摘 要： | 中国现代审美主义话语的崛起,与以尼采为代表的,自康德、席勒、叔本华至尼采的西方现代审美主义思想有着密切的关系。在西方美学史上,审美主义从康德到席勒到叔本华到尼采,有一条相当清晰的渐次演进路线,厘清这一线索,是把握中国现代审美主义西学背景的关键。
|
| 关 键 词： | 中国现代审美主义 康德 尼采 西学背景 |
The Western Learning Setting of Modern Chinese Aestheticism |
| |
| Ye Shi-xiang.The Western Learning Setting of Modern Chinese Aestheticism[J].Qilu Journal,2008(4). |
| |
| Authors: | Ye Shi-xiang |
| |
| Abstract: | The rise of modern Chinese Aestheticism is closely related to modern Western Aestheticism, whose representative is Nietzsche. In the history of Western Aesthetics, from Kant to Schiller, Schopenhauer and Nietzsche, Aestheticism has a very clear clue of gradual development. The key to the command of modern Chinese Aestheticism is to sort out this clue. |
| |
| Keywords: | modern Chinese Aestheticism Kant Nietzsche Western Learning Setting |
| 本文献已被 万方数据 等数据库收录！ |
|
