商周文学流程的文化观照

商代出现过高度成熟的文学作品吗?今存<商颂>、<商书>是否商代诗文?为什么<诗经·大雅·文王>会要商族遗民"无念尔祖,聿修厥德"?强迫他们放弃的仅仅是对祖先的怀念吗?是否还必须放弃一大批与自己的家族文化传统和民族文化传统相关联的文献、礼仪和传承文学呢?延续了五六个世纪之久的西周诗统何以会被战国散文所取代?庄文屈赋檀美当时并辉耀千古的特殊原因还有哪些未曾发现?假设文化是文学的母体,我们能从文化母体中窥见文学之子的某些体貌与性格吗?此法固非处处适用,但也并非处处相反,好处在于当我们看厌了文学的孤峰独树之时,偶尔放眼展望文化的群山林莽,或许会有另外一种心情和收获.

Literature in Shang and Zhou Dynasties from the Cultural Perspective

Were there literary works with a high degree of maturity in Shang Dynasty? The present Ode to Shang and Book of Shang were composed in Shang Dynasty? Why did the rulers of in early Zhou Dynasty prevent adherents of Shang Dynasty from cherishing the memory of their ancestors? Did they give up the documents and literature which were related to the ancestors? Why was the poetry in Western Zhou Dynasty replaced by prose in the Warring State Period? This paper raises the above questions and tries to answer them.