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张艺谋电影中的女性情结分析
引用本文:薛晋文.张艺谋电影中的女性情结分析[J].太原师范学院学报(社会科学版),2006,5(5):127-129.
作者姓名:薛晋文
作者单位:太原师范学院,文学院,山西,太原,030012
摘    要:张艺谋电影中的女性情结是学界关注的焦点,也是一个充满神秘色彩的谜。潜入张艺谋的成长世界和创作世界,从曲折的自我慰藉、回归现实的依托、走出去的策略三个角度对张艺谋电影中的女性情结作以分析,可以发现,张艺谋在十年的艺术生涯中打造的女性群雕不是偶然性的巧合现象。而张艺谋苦难的成长记忆,回归主流的艺术期盼,引领中华文化向西方话语发起冲击的艺术实践正是理解其女性情结的科学切入点。

关 键 词:自我慰藉  回归现实  话语霸权
文章编号:1672-2035(2006)05-0127-03
修稿时间:2006年3月15日

Analysis on the Feminine Temperament in Zhang Yimou's Movies
XUE Jin-wen.Analysis on the Feminine Temperament in Zhang Yimou''''s Movies[J].Journal of Taiyuan Normal University:Social Science Edition,2006,5(5):127-129.
Authors:XUE Jin-wen
Abstract:In the Zhang Yimous movies the feminine temperament is the focal point by the scholars,and is also a riddle full of mystery.If we were to penetrate into Zhang Yimous world to view his growth and movie making, to analyze his self-consolation,his regression to reality,and his outbound strategies,it can be found that it is not a mere coincident that he created such a group of female figures.Zhang Yimous miserable remembrance in his childhood,his artistic expectation for the return of the mainstream,and his artistic practice to lead Chinese culture to strike against western speech powers,all these may be a scientific view point to comprehend his female temperament.
Keywords:self-consolation  return of reality  speech power
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