| 多画面影像的视觉文化解读 |
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| 引用本文： | 寿伟克.多画面影像的视觉文化解读[J].洛阳工学院学报(社会科学版),2010(3):67-69. |
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| 作者姓名： | 寿伟克 |
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| 作者单位： | 南京艺术学院传媒学院,江苏南京210013 |
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| 摘 要： | 近年来影视作品中频繁出现的多画面组合（画中画）现象揭示，当今视觉信息迅速膨胀使人们生存状态发生变化，有其深刻的视觉文化内涵。同时接收多路视觉信息的快节奏高效生活，对人们视觉认知能力提出挑战。多画面影像的自定义和交互功能是其发展方向。
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| 关 键 词： | 视觉文化 多画面组合 画中画 影像 |
Interpretation of Multi-screen Image from Perspective of Visual Culture |
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| SHOU Wei-ke.Interpretation of Multi-screen Image from Perspective of Visual Culture[J].Journal of Luoyang Institute of Technology(Social Science),2010(3):67-69. |
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| Authors: | SHOU Wei-ke |
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| Institution: | SHOU Wei-ke (Media College of Nanjing Arts Institute, Nanjing 210013, China) |
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| Abstract: | The multi-screen combinations （PIP） phenomenon frequently appeared in the film and television works in recent years reveals the roots of change in people＇ s living condition which made by the rapid expansion of today＇s visual information. At the same time, receiving multi-channel visual information in fast- paced and efficient life also challenges people＇ s ability of visual literacy. The customed multi-screen video and interactive features is its direction of development. |
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| Keywords: | visual culture multi-screen combination picture-in-picture image |
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