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源于"花间",超越"花间"--论冯延巳词的悲剧美感
引用本文:刍华. 源于"花间",超越"花间"--论冯延巳词的悲剧美感[J]. 云南民族大学学报(哲学社会科学版), 2002, 19(4): 113-116
作者姓名:刍华
作者单位:云南民族学院 中文系,云南 昆明 650031
摘    要:南唐词人冯延巳是“开北宋一代风气”的关键人物。其词源于“花间” ,从表面上看“不失五代风格” ,即写景不出闺阁园庭 ,写情不外伤春怨别 ,和花间词近似 ,但就其所表现出的内涵而言 ,则又“堂庑特大”、“深美闳约” ,一定程度上超越了花间词 ,具有一种独特的悲剧美感 ,本文探讨了冯延巳词悲剧美感的表现并分析了其成因。

关 键 词:超越“花间”  悲剧美感    冯延巳
文章编号:1001-8913(2002)04-0113-04
修稿时间:2002-04-10

On the Sense of Beauty of Tragedy Revealed in FENG Yan- yi's CI
ZHOU Hua. On the Sense of Beauty of Tragedy Revealed in FENG Yan- yi's CI[J]. Journal of Yunnan Nationalities University(Social Sciences), 2002, 19(4): 113-116
Authors:ZHOU Hua
Abstract:FENG Yan-yi was a famous CI writer of the South Tang Dynasty, a pioneer of the coming CI style of the North Song Dynasty. Judging from the surface meaning, his CI is similar to that of the Five-Dynasties with strong emotions, but its connotations are much richer and convey a unique sense of beauty of tragedy. This paper discusses this sense of beauty and analyses its causes.
Keywords:transcend "  Huajian"  ,sense of beauty of tragedy,CI,FENG Yan-yi
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