| 论联华电影的思想意识与艺术追求 |
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| 引用本文： | 欧孟宏.论联华电影的思想意识与艺术追求[J].东南大学学报(哲学社会科学版),2009,11(3). |
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| 作者姓名： | 欧孟宏 |
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| 作者单位： | 武汉大学,艺术学系,湖北,武汉,430072;湖南理工学院,中文系,湖南,岳阳,414006 |
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| 摘 要： | 作为时代精神的表征与社会历史的纪录,联华电影既具有较为先进的思想意识,又在艺术形式上进行了积极的探索,并为电影的民族化作出了贡献。联华电影的出现改变了当时中国电影发展的方向,提高了1930年代国产电影的思想与艺术水准,但由于思想意识和电影美学观念的局限性,联华电影在思想内容和艺术方面也都存在着诸多缺陷,这些缺陷在同时期其他影片中也明显存在着,可以说具有一定的普遍性。
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| 关 键 词： | 联华电影 表征 纪录 艺术形式 |
On the ideology and artistic pursuit of Lianhua films |
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| OU Meng-hong.On the ideology and artistic pursuit of Lianhua films[J].Journal of Southeast University(Philosophy and Social Science ),2009,11(3). |
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| Authors: | OU Meng-hong |
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| Abstract: | As the representative of time spirit and the record of society and history,films made by Shanghai Lianhua Company were advanced in both ideology and artistic form,which made contributions to national cinema industry.Lianhua films changed the direction of Chinese film-making and raised the ideological and artistic standard of domestic films of 1930s.Due to limitations in ideology and the concept of film aesthetics,however,Lianhua films had unavoidable shortcomings. |
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