| 谈蒙古族佛教绘画及法舞、法乐艺术的审美 |
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| 引用本文： | 唐吉思,杨·斯琴.谈蒙古族佛教绘画及法舞、法乐艺术的审美[J].西北民族大学学报,2005(3):147-151. |
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| 作者姓名： | 唐吉思 杨·斯琴 |
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| 作者单位： | 西北民族大学蒙古语言文化学院，西北民族大学蒙古语言文化学院 甘肃兰州730030，甘肃兰州730030 |
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| 摘 要： | 佛教绘画及法舞、法乐是以艺术形象和艺术手段为其信仰服务的宗教艺术。它起源于印度和西藏,伴随着藏传佛教及其寺院的建立,而传入蒙古地区的。由于受到蒙古族社会生活的影响,受到蒙古族传统美学思想和艺术风格的影响,逐渐形成了具有蒙古族特色的佛教艺术形式,在蒙古族艺术史上留下了辉煌的一页。
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| 关 键 词： | 蒙古族 佛教绘画艺术 法舞、法乐艺术 |
| 文章编号： | 1001-5140(2005)03-0147-05 |
| 修稿时间： | 2004年12月18 |
On Buddhism Paintings of Mongolians and Appreciation of Religious Dance and Music |
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| TANG Jisi,YANG Siqin.On Buddhism Paintings of Mongolians and Appreciation of Religious Dance and Music[J].Journal of Northwest University for Nationalities,2005(3):147-151. |
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| Authors: | TANG Jisi YANG Siqin |
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| Abstract: | Buddhism paintings, religious dance and music are religious arts serving the belief in artistic form and means. Originated from India and Tibet, with the development of Tibetan Buddhism and construction of temples, they were spread into Mongolian area. Under the influence of social life, traditional aesthetics and artistic style of Mongolians, they developed into Buddhism artistic form with Mongolian characteristics, was an excellent page in history of Mongolian arts. |
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| Keywords: | Mongolian Buddhism arts of painting arts of religious dance and music |
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