| 明清江南曲坛“松江曲派”质疑 |
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| 引用本文： | 汪超.明清江南曲坛“松江曲派”质疑[J].江南大学学报(人文社会科学版),2014,13(4):82-87. |
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| 作者姓名： | 汪超 |
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| 作者单位： | 安庆师范学院文学院,安徽安庆,246133 |
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| 基金项目： | 教育部人文社科项目“明清传奇戏曲文体观念与文体嬗变研究” |
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| 摘 要： | 文章针对“松江曲派”的提出，着重通过曲家、曲社、曲论的具体论析，参照以文学流派形成确立的主要特征，揭示出“松江曲派”的界定仍存在诸多悬疑。同时，试图通过对“松江曲派”的考论，进一步认识明清之际的松江曲坛，以此抛砖引玉重新评价松江曲坛的戏曲成就。
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| 关 键 词： | “松江曲派” 《天马媒》 曲社 施绍莘 |
Questions on Jiangnan Musical Altar "School of Songjiang Drama" |
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| WANG Chao.Questions on Jiangnan Musical Altar "School of Songjiang Drama"[J].Journal of Southern Yangtze University:Humanities & Social Sciences Edition,2014,13(4):82-87. |
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| Authors: | WANG Chao |
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| Institution: | WANG Chao (School of Liberal Arts, College of Anqing Teachers, Anqing Anhui 246133) |
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| Abstract: | This paper mainly for proposing of ＂ School of Songjiang Drama＂, focusing on a specificcomposer, music clubs, music theory analysis, referring to the formation of the main features of theestablished literary genres, revealing that there are still a lot of suspense about the defining of ＂School ofSongjiang Drama＂. Meanwhile, the attempt by dynasty about ＂School of Songjiang Drama＂, have a betterunderstanding about Songjiang musical altar in Ming and Qing Dynasties, in order to initiate a re-evaluation about drama achievement of Songjiang musical altar. |
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| Keywords: | School of Songjiang Drama Pegasus Media Songs Club Shi Shao-xin |
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