从"骨相仅存"到肌肤丰盈--李渔戏剧对小说重写的原则之二

李渔“无声戏”与“稗官为传奇蓝本”的提法已明示在李渔意下小说与戏剧的密切关系 ,即异中之同。但小说与戏剧的同中之异也不可忽略 ,李渔的戏曲观念与小说观念绝不能混同。李渔戏剧对小说的重写不是简单的重复 ,而是融入了他对戏剧、小说最基本的观念。在小说细节、情境叙写与人物描摹等方面 ,揭示两大体裁的不同景观。

From the "Bare Bones" to "A Full Figure"--the principle of Li Yu's novel rewriting in the form of drama (2nd)

Silent drama" and "taking romances as a blueprint of legend" proposed by Li Yu have indicated his viewpoints of a close relationship between novel and drama the same themes in different forms. However, the differences between them also cannot be ignored, and in no cases his ideas of drama and that of novel could be confused. Li's rewriting does not mean a simple repetition, but represents a course into which his concepts on drama and novel are fused. In novel details, scene narration, character depiction, etc., he reveals the great differences between the two forms of literature.