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手风琴室内乐演奏中的音色
引用本文:刘燕.手风琴室内乐演奏中的音色[J].山西大同大学学报(社会科学版),2009,23(2):108-109.
作者姓名:刘燕
作者单位:山西大同大学艺术学院,山西,大同,037009
摘    要:音色决非是一个简单或是单一的概念,它是与音乐内涵、创作者的意图和演奏者的二度创作相联系的。手风琴室内乐演奏中的音色变化是通过变音器的选用、风箱及触键的紧密配合来完成的。

关 键 词:手风琴室内乐  音色  变音器  风箱  触键

Comments on the Timbre in the Accordion Chamber Music Playing
LIU Yan.Comments on the Timbre in the Accordion Chamber Music Playing[J].Journal of Shanxi Datong University(Social Science Edition),2009,23(2):108-109.
Authors:LIU Yan
Institution:LIU Yan (School of Art, Shanxi Datong University, Datong Shanxi, 037009)
Abstract:Timbre is not a simple or single concept, but a combination of music connotation,the intention of creator and the recreation of player. The various timbres in the accordion chamber music playing are completed by the selection of register and the close coordination of bellows and keys touching.
Keywords:accordion chamber music  timbre  register  bellows  keys touching
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