论乾嘉之际的诗歌思想与创作精神

乾嘉之际不仅是清代历史的转折点 ,同时也是清代诗史的转折点。和清代中前期相比 ,这一时期的诗歌思想与创作精神突出地表现出几个特点 :分门别派的观念 ,特别是祖唐祧宋的争论趋于淡化 ;尊重个人情性日益成为广为接受和重视的创作原则 ;在此基础上 ,不甘比附而渴望自树风格、自创一家的理论意识得到进一步强化。这几个方面互相促动、密不可分 ,而尤以尊情重性为核心 ,它构成了乾嘉之际诗歌界起伏涌动的大趋势

On the Poetlc Ideas Guiding Poetic Creation in the Period Between the Reign of Emperors Qianlong and Jiajing

The period between the reign of Emperors Qianglong and Jiajing was not only a turning point in the history of the Qing dynasty, but a turning point as well in the history of the Qing poetry. Compared with the middle years of the Qing dynasty,the poetic ideas and the spirit guiding the the poetic creation in this period were characterized with a weakened sense of sect and an even further weakened dispute about whether to carry on the poetic tradition of the Tang or Song dynasties.On the basis of this, a theoretical consciousness unwilling to cling to a particular school and wishing to establish a style of its own had been further strengthened. These characteristics, with respect to individuality as the core, promoted one another and constituted an integrated whole, thus becoming a surging tide in the world of poetry in the period between Qianlong and Jiajing.