| 改编伦理、历史重构与先锋性——关于话剧《霸王歌行》的几个问题 |
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| 引用本文： | 韩传喜,傅晓燕.改编伦理、历史重构与先锋性——关于话剧《霸王歌行》的几个问题[J].吉林师范大学学报,2009,37(1):35-37. |
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| 作者姓名： | 韩传喜 傅晓燕 |
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| 作者单位： | 韩传喜,HAN Chuan-xi(北京师范大学,文学院,北京100875);傅晓燕,FU Xiao-yan(德州学院中文系,山东,德州,253023)
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| 摘 要： | 话剧《霸王歌行》是一部改编剧、历史题材剧和先锋探索剧。该剧遵循了改编伦理，完成了从小说到话剧的跨文本艺术形态转换；以对历史源文本的想像性阐释，完成了对历史的重构；在舞台呈现和叙事方式．尤其是文化立场和诗性精神方面，又体现出鲜明的先锋性。在话剧艺术日趋边缘化的时代，《霸王歌行》具有着独特的意义与价值，营构了较大的艺术思考的空间。
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| 关 键 词： | 《霸王歌行》 话剧 改编伦理 历史重构 先锋性 |
Reorganizing Principles, Reconstructing History and Pioneer: On the play The Story of Overlord |
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| HAN Chuan-xi,FU Xiao-yan.Reorganizing Principles, Reconstructing History and Pioneer: On the play The Story of Overlord[J].Jilin Normal University JOurnal:Humanities & Social Science Edition,2009,37(1):35-37. |
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| Authors: | HAN Chuan-xi FU Xiao-yan |
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| Institution: | 1.College of Liberal Arts, Beijing Normal University, Beijing 100875; 2.Department of Liberal Arts, Dezhou College, Dezhou, Shandong, 253023 ) |
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| Abstract: | The Story of Overlord,which is adapted from a novel,is a historical play with pioneer exploration. It succeeded in transforming the novel into a play by the reorganization of principles,reconstructing the history by the imagination of the historical text and showing the distinct pioneer in the fields of cultural stand and poetic spirit. It plays an unique role in the present time that the play is on its marginalization. |
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| Keywords: | The Story of Overlord play reorganization of principles reconstruction of history pioneer |
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