| 论唐太宗李世民的翰墨情结及其美学思想和特色 |
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| 引用本文： | 杨斌,朱和平.论唐太宗李世民的翰墨情结及其美学思想和特色[J].湖南工业大学学报（社会科学版）,2014,19(2):106-110. |
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| 作者姓名： | 杨斌 朱和平 |
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| 作者单位： | 湖南工业大学 包装设计艺术学院;湖南工业大学 包装设计艺术学院 |
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| 摘 要： | 唐太宗李世民作为中国书法史上笔墨遒劲、嗜书尤甚的帝王书家,其在书法实践上的成就以及对后世书法理论和审美意趣的基奠上,都产生了极其深远的影响。唐太宗对书法的挚爱主要表现为:始开崇王之风,躬耕翰墨书论,督学馆设书科。其"法度森严""雅正中和""尽善尽美"的美学思想恰当地诠释了初唐书风的审美风尚。"书""教""论"贯穿了唐太宗书法艺术的整个生命历程,也为唐太宗的翰墨情结及其在书法史上的成就作了贴切的注解。
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| 关 键 词： | 唐太宗 书法作品 翰墨情结 美学思想 艺术特色 |
| 收稿时间： | 2013/10/27 0:00:00 |
On Li Shimin's Obsession with Calligraphy and Aesthetic Ideology |
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| YANG Bin and ZHU Heping.On Li Shimin's Obsession with Calligraphy and Aesthetic Ideology[J].Journal of Hunan University of Technology(Social Science Edition),2014,19(2):106-110. |
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| Authors: | YANG Bin and ZHU Heping |
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| Institution: | School of Packaging Design and Art, Hunan University of Technology;School of Packaging Design and Art, Hunan University of Technology |
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| Abstract: | Li Shimin, Emperor Taizong of the Tang Dynasty, is a famous and outstanding calligrapher in Chinese calligraphy history, who exerted far-reaching effect calligraphy theory and aesthetics. He was the first to show worship to Wang Xizhi, practiced calligraphy theory, monitored the calligraphy schools and opened the course of calligraphy. Besides, his aesthetic ideology also properly interpreted the calligraphy fashion in the early Tang Dynasty. Calligraphy, education, theory went through the entire life of Taizong, all of these achievements are able to appropriately annotate his obsession with calligraphy. |
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| Keywords: | Emperor Taizong of the Tang Dynasty calligraphy works calligraphy complex aesthetic ideology art features |
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