| 闻一多诗学理论与新诗形式的现代化建构 |
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| 引用本文： | 刘海波,魏建.闻一多诗学理论与新诗形式的现代化建构[J].齐鲁学刊,2003,3(5):99-101. |
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| 作者姓名： | 刘海波 魏建 |
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| 作者单位： | 1. 复旦大学,中文系,上海,200433
2. 山东师范大学,文学院,山东,济南,250014 |
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| 摘 要： | 在中国现代新诗学理论的现代化建构中,闻一多的诗学理论具有重要的建设性意义。闻一多诗学的语言观首先区分了诗性语与实用语,由此确立现代诗学的本体论形式观,并进而确认现代诗的"有意味的形式"。闻一多提出的新诗的"音乐美、绘画美、建筑美"的原则,是其诗学理论的现代语言观和形式观的具体实施。
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| 关 键 词： | 闻一多 诗学理论 新诗形式 现代化建构 |
| 文章编号： | 1001-022X(2003)05-0099-03 |
| 修稿时间： | 2002年9月6日 |
Wen Yi-duo's Poetics Theory and Modern Constructivism of New Verses |
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| Abstract: | Wen Yi duo's poetics theory plays an important role in the modern constructivism of the theory of Chinese new verses. It was Wen Yi duo who first distinguished between poetic language and practical language. Then he established an ontologic concept of forms in modern poetics and insisted on "the meaningful forms" of new verses. The principle suggested by Wen Yi duo, that new verses should be beautiful with respect to music, painting, and structure, is the application of the modern concept of language and concept of forms in his poetics theory. |
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| Keywords: | Wen Yi-duo poetics theory forms of new verse modern constructivism |
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