| 李东阳诗歌创作的宗宋转向 |
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| 引用本文： | 郑礼炬. 李东阳诗歌创作的宗宋转向[J]. 盐城师范学院学报, 2008, 28(4) |
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| 作者姓名： | 郑礼炬 |
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| 作者单位： | 漳州师范学院中文系 |
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| 基金项目： | 漳州师范学院社科研究项目 |
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| 摘 要： | 李东阳诗歌创作既有台阁体面貌,也展现出其诗歌创作的转向,其诗风渐趋沉郁、硬瘦,宗杜是他重要的诗歌主张。李东阳诗歌创作中还有一种倾向,即欣赏、学习宋代诗人,其诗学主张兼顾宋诗,他作于不同年代的两批集句诗则印证了其宗宋的诗学观念,说明其诗歌创作转向宗宋的必然性。
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| 关 键 词： | 李东阳 台阁体 沉郁 宗宋 |
The Inevitability of Li Dong-yang's Turn to Song Poetry Study |
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| ZHENG Li-ju. The Inevitability of Li Dong-yang's Turn to Song Poetry Study[J]. Journal of Yancheng Teachers College(Humanities & Social Sciences Edition), 2008, 28(4) |
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| Authors: | ZHENG Li-ju |
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| Affiliation: | ZHENG Li-ju(Chinese Department; Zhangzhou Normal University; Fujian Zhangzhou; 363000; China); |
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| Abstract: | The poetry composition of Li Dong-yang not only embodied features of TaiGe style,but also displayed his direction had changed.His poetic feature was depressed,stiff and thin.To study Dufu was his dominant poetic viewpoint.Li s another way was to appreciate and study poets in Song Dynasty.His poetic attention to Song poetry and two groups of Jiju poems testified his pro-Song poetic idea and illustrated the inevitability of his changing. |
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| Keywords: | TaiGe style depressed Dufu Song poetry |
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