论唐宋诗词中“雨”的审美意象群

唐宋,是古典诗歌意象最为灿烂辉煌的时期。在唐宋诗词纷繁的意象中,让人涵咏不尽的是多姿多态的“雨”意象群。诗词创作中的“雨”意象,始终不脱离它作为客观物象固有的自然特征,同时,在反复运用和沿袭不衰的过程中,人们对它的审美感情和审美趣味长期积淀下来,使之固定地带有纤细绵柔、明丽清润、朦胧迷离、凄清冷寂、迅疾狂骤等审美特征。心物相契的“雨”意象具有生动的艺术表现力,诗人们用情感的链条将它与其他意象组合,构成具有内在生命的完整形象,用来烘染氛围、寓含象征、营造意境等,以追求一种特殊的艺术表达效果。

On the Aethetic Images of Rain in Chinese Tang and Song Poetry

The Tang and Song Dynasties are the golden periods of classical poetic ima gery.The images of rain are the most unforgett able and colorful amid a myriad of ima ges in the Tang and Song poetry.They have always retained th e natural properties of rain,but at t he same time,through repetitive use,such images have bee n associated with gentleness,fresh ness,vagueness,loneliness and violence,containing vivid arti stic expression.Chinese poets have used the rain imagery to set a scene and convey symbolism so as to ac hieve a special artistic effect.