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谈宋代文人画的艺术特色
引用本文:潘攀. 谈宋代文人画的艺术特色[J]. 重庆交通学院学报(社会科学版), 2009, 0(4)
作者姓名:潘攀
作者单位:长江师范学院美术学院;
摘    要:在中国绘画史上,宋代是一个非常关键的时期,绘画艺术及其绘画美学都很繁荣,宋代的绘画美学思想实际上是新旧绘画美学思想交替、融合的时代。画派之间的斗争极其频繁,其中文人士大夫画家作为一个新兴的绘画群体,由最初向院体画家发起论争到宋代末在画坛上占主导地位,他们的绘画美学思想改变了宋代院体画家们的审美思想、审美理想、审美观念、审美标准等。文人画从而成为时代的主流,而且对后世的文人画与文人画理论的发展,也产生了很大的影响。

关 键 词:宋代文人画  禅宗  萧疏简淡  离形得似  借物寓心  

On the Artistic Features of Intellectual's Paintings in Song Dynaty
PAN Pan. On the Artistic Features of Intellectual's Paintings in Song Dynaty[J]. Journal of Chongqing Jiaotong University(Social Sciences Edition), 2009, 0(4)
Authors:PAN Pan
Affiliation:PAN Pan (School of Arts,The Yangtze River Normal College,Chongqing 408100,China)
Abstract:In the history of Chinese painting,Song dynasty is a critical period.Both painting and painting aesthetics were prosperous.The painting aesthetics was in fact at the changing and assimilating time of old and new painting aesthetics.The arguments among the painting schools were heated.Especially the intellectual painters,as a new group of painting,started to argue with the academic school and became an authority of painting at the end of Song dynasty.Their painting aesthetics changed the aesthetic idea,ideal...
Keywords:intellectual painting in Song dynasty  Dhyana  concise and simple  formless similarity  spirit reflected in an object  
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