论晋人对毛诗的认识及其与西晋诗歌创作的关系

在风云激荡的汉魏之交,学术思想也发生了重大的改变,即古文学取代了今文学。在这种学术背景下,毛诗开始成为诗经学的主流,但在魏晋时代,士人们很少将其看作一种经学科目,在大多场合下,它被士人们看成一种基础的、普及的文化教本。作为对毛诗经学意义上的阐释的反动,士人们消释了附着于其身的政治功利和道德教化的解说,常从毛诗的文本出发,发掘或发挥其表情达意的功能,并最终发掘出其独立的文学审美功能。在此基础上,他们树立起毛诗作为文学的经典性文本的地位,不但在衡文论诗时以之作为判断诗文高低的标准,而且,在创作中以毛诗为典范加以模仿,这最终使西晋的诗人在诗歌创作领域取得了"文章之中兴"的地位。

The Recognizing of Mao Shi and its Relation to Poetry Writing of Xi Jin

During the late of Han dynasty and the beginning of Wei, the thoughts of scholarism has changed dramatically. This causes Mao Shi to be the mainstream of the Book of Poetry. However, the intellectual of Wei and Jin dynasty doesn't regard it as a branch of academic.In their opion, the Book of Poetry is a classics of literature. Instead of political and moral explanation, the elites of Xi jin look upon it as an aesthetic text. So, when criticizing other poetry, they always compare it with Mao Shi. In addition, they also imitates Mao Shi when they are writing poems. All of this contribute to renaissance of poetry of Xi jin.