| 析胡风“精神奴役的创伤” |
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| 引用本文： | 孔育新.析胡风“精神奴役的创伤”[J].汕头大学学报(人文社会科学版),2011,27(6):33-37,91. |
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| 作者姓名： | 孔育新 |
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| 作者单位： | 北京师范大学文学院,北京,100875 |
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| 摘 要： | 胡风在20世纪40年代提出人民"随时随地都潜伏着或扩展着几千年的精神奴役的创伤"的观点,由此,"精神奴役的创伤"成为胡风文艺思想的一个关键命题。该命题的题材来源于厨川白村的《苦闷的象征》,不过胡风将厨川白村的"创造生活的欲求和强制压力之间的冲突"转换为"人民群众创造历史的解放欲求与封建主义的安命精神之间的冲突",从而转向黑格尔、马克思的历史哲学与文艺美学的维度。而关于文艺在治疗创伤、救赎自我的过程中的作用问题上,胡风将作家譬喻为"施洗约翰",其任务在于通过艺术批判社会痼疾、唤醒群众,为政治的解放实践开道。而人民的血与火的政治实践,就是艺术之解放目的的真正完成,是一首真正的抒情诗。
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| 关 键 词： | 胡风 精神奴役 创伤 受难 施洗约翰 |
An Analysis of Hu Feng's Scar of the Mental Enslavement |
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| KONG Yu-xin.An Analysis of Hu Feng's Scar of the Mental Enslavement[J].Journal of Shantou University(Humanities Edition),2011,27(6):33-37,91. |
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| Authors: | KONG Yu-xin |
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| Institution: | KONG Yu-xin(School of Chinese Language and Literature,Beijing Normal University,Beijing,100875) |
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| Abstract: | Since Hu Feng put forward in the 1940s the idea that among people lurks or spreads any time any place the thousands of years-old scar of the mental enslavement,the scar of the mental enslavement has become one of his key themes of literature and art originating in The Symbol of Depression by Kuriyagawa Hakuson.However,Hu Feng transformed the Japanese writer's conflict between the desire to create life and forced pressure to the conflict between the liberating desire of the masses creating history and the fe... |
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| Keywords: | Hu Feng scar of the mental enslavement suffering disasters the Baptizing John |
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