| 高句丽与慕容鲜卑关系解读——以陶器为视角 |
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| 引用本文： | 孙颢.高句丽与慕容鲜卑关系解读——以陶器为视角[J].北华大学学报(社会科学版),2014(6):63-65. |
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| 作者姓名： | 孙颢 |
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| 作者单位： | 北华大学历史文化学院 吉林132033 |
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| 基金项目： | 国家社会科学基金重大招标项目“高句丽、渤海文化发展及其关系研究”，国家社会科学基金青年项目“朝鲜境内高句丽壁画墓的发现与研究”(11CK005)的阶段性成果之一。 |
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| 摘 要： | 高句丽与三燕文化的陶器在器形、纹饰方面存在较大相似性，是高句丽陶器受三燕文化影响的结果。从4世纪开始高句丽与三燕文化的创立者——慕容鲜卑展开了激烈的辽东争夺战，直至5世纪末这场旷日持久的争夺战以高句丽的获胜而告终。频繁的战争在客观上促进了双方的文化交流。
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| 关 键 词： | 高句丽 幕容鲜卑 三燕文化 陶器 |
Explanation on Relation of Goguryeo and Murong Xianbei---From Perspective of Potteries |
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| SUN Hao.Explanation on Relation of Goguryeo and Murong Xianbei---From Perspective of Potteries[J].Journal of Beihua University(Social Sciences),2014(6):63-65. |
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| Authors: | SUN Hao |
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| Institution: | SUN Itao ( History and Culture College of Beihua University, Jilin 132033, China) |
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| Abstract: | There are many similar characteristics in shape, sculpture of potteries between Goguryeo and Sanyan culture because the potteries of Goguryeo is influenced by Sanyan culture. Form the 4th century, Goguryeo and Murong Xianbei have been fighting for Liaodong. In the end of 5th century ,Goguryeo won this battle. The frequent wars promoted cultural exchanges of two sides. |
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| Keywords: | Goguryeo Murong Xianbei Sanyan culture Potteries |
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