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论尾声
引用本文:杨东甫. 论尾声[J]. 广西师范学院学报(哲学社会科学版), 2003, 24(2): 54-60
作者姓名:杨东甫
作者单位:广西师范学院中文系,广西,南宁,530001
摘    要:作为曲学名词的“尾声” ,并非如《汉语大词典》等辞书所定义的那样仅限于戏曲范畴 ,也不存在“分为若干段”的尾声。尾声是套曲中位置在全篇之末、有特定名称的一支曲 ,它同时也是一种曲牌名称 ,其作用是从文义及乐章两个方面收结全曲 ,其使用有着自身规律。尾声起源于先秦诗歌中的“乱” ,发展至唱赚及诸宫调中成型 ,终成南北曲之重要构成因素。尾声有数十种名称。北曲与南曲所用尾声差异较大。

关 键 词:尾声  渊源  性质  作用
文章编号:1002-5227(2003)02-0054-07
修稿时间:2002-11-13

Discussing Epilogue
YANG Dong-fu. Discussing Epilogue[J]. Journal of Guangxi Teachers Education University, 2003, 24(2): 54-60
Authors:YANG Dong-fu
Abstract:As the terminology of QuTheory,epilogue is not in the category of traditional drama as defined in the Great Chinese Dictionary.There is no epilogue that is divided into some parts.Epilogue is the last melody in the whole Tao Qu and has a specific name.In the meantime it is a kind of appellation namely QuPai.It has natural regularity in use.It's function is put an end to the whole Tao Qu from meaning and movement.Epilogue originated from "Luan" in the poems before the Qin Dynasty and shaped in "Chang Zhuan" and "Zhu Gong Diao".Finally it became an important factor in North Qu and South Qu.There are tens of names for epilogue and epilogue of North Qu is quite different from that of South Qu.
Keywords:epilogue  origin  properties  functions
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