| 论雁意象的历史积淀性及审美差异性 |
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| 引用本文： | 刘增城. 论雁意象的历史积淀性及审美差异性[J]. 安徽理工大学学报(社会科学版), 2006, 8(1): 51-54 |
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| 作者姓名： | 刘增城 |
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| 作者单位： | 浙江国际海运职业技术学院,浙江,舟山,316000 |
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| 摘 要： | 文章对《诗经》到唐宋的雁意象作了简要梳理和赏析,阐释了“雁”这一审美意象的历史积淀性;然后又选取诗词中一组“孤雁”的自我意象进行了比较和分析,阐明了同类意象的审美差异性。
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| 关 键 词： | 雁意象 历史积淀性 审美差异性 |
| 文章编号： | 1672-1101（2006）01-0051-04 |
| 收稿时间： | 2005-10-24 |
| 修稿时间： | 2005-10-24 |
On the historical accumulation and aesthetic differences of the images of wild goose |
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| LIU Zeng-cheng. On the historical accumulation and aesthetic differences of the images of wild goose[J]. Journal of Anhui University of Science and Technology:Social Science, 2006, 8(1): 51-54 |
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| Authors: | LIU Zeng-cheng |
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| Abstract: | This article briefly sorts out and analyses the images of wild goose existent in the literary periods from "The Book of Songs" to the Tang Dynasty and the Song Dynasty,explaining the historical accumulation of the images of wild goose.Afterwards,it compares and analyses a group of self-images of "lonely wild goose" in the poem,expounding their aesthetic differences. |
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| Keywords: | images of wild goose historical accumulation aesthetic differences |
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