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梁漱溟文艺思想论略
引用本文:高迎刚,马龙潜.梁漱溟文艺思想论略[J].齐鲁学刊,2005(2):107-110.
作者姓名:高迎刚  马龙潜
作者单位:山东大学,文学与新闻传播学院,山东,济南,250100
摘    要:从现代新儒学的基本立场出发,立足于对"身"与"心"之间关系的独特理解,梁漱溟先生的文艺思想大 致包含了文学艺术的本质特征、文学艺术的创造和鉴赏,以及文学艺术的社会功用等对本学科的研究来说至为关 键的问题。出于对中西学术之不同特征的深刻理解,梁氏文艺思想既有对我国传统文艺思想的精深理解和透彻把 握,也有对西方现代文艺思想的自觉接受和有意识的汲取,两者彼此融合、互相补充,较为妥帖地融会于其独具特 色的新儒学思想体系之中。

关 键 词:梁漱溟  新儒家  文艺思想      本能  理智
文章编号:1001-022X(2005)02-0107-04
修稿时间:2004年7月6日

A Brief Statement of Liang Shu-ming's Literary and Art Theory
Gao Ying-gang,Ma Long-qian.A Brief Statement of Liang Shu-ming's Literary and Art Theory[J].Qilu Journal,2005(2):107-110.
Authors:Gao Ying-gang  Ma Long-qian
Institution:Gao Ying-gang,Ma Long-qian School of Literature and Communications,Shandong University,Jinan 250100,China
Abstract:Based on his New Confucianism idea, and his unique understanding of the relationship between "body"and "heart", Mr. Liang discoursed some essential question of literature and art, such as the substaintial character, the question of creation and appreciate, and the social function of literature and art. In his theory, Mr. Liang absorbed both traditional literary theory and western modern idea, and combined them into his unique New Confucianism idea.
Keywords:Liang Shu-mimg  New Confucianism  literary and art theory  body  heart  instinct  intellect  
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