| 论徐晓钟的“表现美学”戏剧观 |
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| 引用本文： | 杨迎平.论徐晓钟的“表现美学”戏剧观[J].湖北师范学院学报(哲学社会科学版),2006,26(5):39-45. |
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| 作者姓名： | 杨迎平 |
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| 作者单位： | 湖北师范学院,中文系,湖北,黄石,435002 |
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| 摘 要： | 徐晓钟是继焦菊隐、黄佐临之后的著名戏剧家和导演艺术家,是新时期最具影响的戏剧革新家,他以开拓的精神从理论到实践继承并超越了世界三大戏剧体系,继承并超越了焦菊隐和黄佐临,创造了从"再现美学"向"表现美学"拓宽的戏剧艺术,创造了既民族化又现代化的戏剧理论.具体表现为:唤醒戏剧本性的复归;导演创造意识的觉醒;强调表演艺术的提高与融合;重视舞台美术的创造性.
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| 关 键 词： | 徐晓钟 戏剧观 "表现美学" |
| 文章编号： | 1009-4733(2006)05-0039-07 |
| 修稿时间： | 2005年12月20 |
On Xu Xiaozhong's drama views of "expressive aesthetics" |
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| YANG Ying-ping.On Xu Xiaozhong's drama views of "expressive aesthetics"[J].Journal of Hubei Normal University(Philosophy and Social Science),2006,26(5):39-45. |
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| Authors: | YANG Ying-ping |
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| Abstract: | Xu Xiaozhong,a famous dramaist and director after Jiao Juyin and Huang Zuolin,the most influential drama reformer at new times as well,creatively inherits and transcends Jiao Juyin and Huang Zuolin as well as the three main drama systems in the world theoretically and practically.Meanwhile,he creates the drama arts from "reproduction aesthetics" to "Expressive Aesthetics" and arouses the renaissance of the nature of drama,and wakes up the creative awareness of directors,emphasizing the promotion and combination of performative arts,attaching much importance to creativity of arts.Therefore,he produces a set of national and modern drama theory. |
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| Keywords: | Xu Xiaozhong viewpoints on drama expressive aesthetics |
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