| 从元杂剧之"梦"到汤剧之"梦"--论古典戏曲中"梦"之表现力的增强 |
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| 引用本文： | 薛海燕. 从元杂剧之"梦"到汤剧之"梦"--论古典戏曲中"梦"之表现力的增强[J]. 河南教育学院学报(哲学社会科学版), 2002, 21(1): 59-63 |
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| 作者姓名： | 薛海燕 |
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| 作者单位： | 青岛海洋大学,中文学院,山东,青岛,266071 |
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| 摘 要： | 中国古典戏曲经常描写"梦"."梦"在戏曲中主要有如下作用第一,其作为特殊精神状态的特点在作品中成为独立的审美因素;第二,"梦"的设置在剧情结构中占有重要地位.只有到汤(显祖)剧之"梦",上述两种作用才结合起来,从而使梦与现实两种状态的对比成为作品内蕴的核心内容,深化了作品反思现实的哲理意义.这不仅引导研究者关注古典戏曲的丰富表现手段,而且可以启发我们思考有关梦与文学的价值问题.
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| 关 键 词： | 元杂剧之" 梦" 汤剧之" 梦" 表现力 |
| 文章编号： | 1006-2920(2002)01-0059-05 |
| 修稿时间： | 2001-09-06 |
From the Dreams in Yuanqu to that in Tang Xianzu's Dramas |
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| XUE Hai-yan. From the Dreams in Yuanqu to that in Tang Xianzu's Dramas[J]. Journal of Henan Education Institute(Philosophy and Social Science Edition), 2002, 21(1): 59-63 |
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| Authors: | XUE Hai-yan |
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| Abstract: | A lot of Chinese ancient dramas talk about dreams. Dreams in those dramas played two kinds of roles: The first one was their special character served audience in aesthetic way, the other was holding main positions in drama's structure . Those two contracted the first time with each other in Tang XianZu' s dramas, which made the difference between dream and the reality became the initial things that the drama expressed, and at last deepened the dramas. |
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| Keywords: | dreams in Yuanqu dreams in Tang Xianzu' s dramas ability on expression |
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