数字化语境中文艺学的观念转换

对于数字媒介时代文艺学的转型问题,欧阳友权从艺术活动主体审美动因的改变、电子化文本对书写语言诗性的解构、技术语境对艺术经典的消解等三个方面进行了深入阐述。黄鸣奋认为,由电脑和网络带来的文艺学转型冲动,带来了范式更迭、观念革命、界碑毁弃、传统批判,为文艺学推陈出新创造了不可多得的契机。张晶指出,媒介数字化使人进入到前所未有的时空形态,产生了前所未有的审美关系,使得人们不得不对虚拟与真实、主体与客体、创作与接受等重要审美理念进行重新考量。白寅从文学创作与接受主体的身份的视角,探讨了数字媒介下文艺学的转型,认为创作者身份隐匿消解了文学话语的公众性,而接受者身份的隐匿则阻断了正常的反馈路径,促使文学的传统构成形态出现变异。欧阳文风认为,与网络文学相比,短信文学进一步消解了传统文学惯例,进一步张扬了文学的自由本性,进一步推动了文学向民间的回归,并带来了文学观念的悄然转变。

The Age of Digital Medium and the Transition of Literary Criticism (Special topic for discussion)

Ouyang You-quan expounds in the perspectives of the changes of aesthetic subject, electronic text's deconstruction to the traditional writing and technological means to the classics. Huang Ming-fen thinks that computer and Internet have brought some opportunities of innovation to the transition of literary criticism. Zhang Jing points out that digital medium has produced unprecedented aesthetics and had people rethink about the relationships between fiction and reality, subject and object, writing and accepting. Bai Yin thinks that the hiding of the author and reader has brought about variation of traditional literature in form. Ouyang Wenfeng thinks literature of short message of cellular phone has promoted the freedom of literature and the literary return to the folk as well as slow transition of literary ideas.